Mid-70s Detroit punk band Death was punk before punk was punk.
Excerpt:
Forgotten except by the most fervent punk rock record collectors — the
band’s self-released 1976 single recently traded hands for the
equivalent of $800 — Death would likely have remained lost in obscurity
if not for the discovery last year of a 1974 demo tape in Bobby Sr.’s
attic. Released last month by Drag City Records as “... For the Whole
World to See,” Death’s newly unearthed recordings reveal a remarkable
missing link between the high-energy hard rock of Detroit bands like
the Stooges and MC5 from the late 1960s and early ’70s and the
high-velocity assault of punk from its breakthrough years of 1976 and
’77. Death’s songs “Politicians in My Eyes,” “Keep On Knocking” and
“Freakin Out” are scorching blasts of feral ur-punk, making the
brothers unwitting artistic kin to their punk-pioneer contemporaries
the Ramones,
in New York; Rocket From the Tombs, in Cleveland; and the Saints, in
Brisbane, Australia. They also preceded Bad Brains, the most celebrated
African-American punk band, by almost five years.
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